CTVM
Dec 11, 2020
“CARNE y ARENA, une œuvre magistrale acclamée au Festival de Cannes qui explore la condition humaine des réfugiés et des migrants..”
Read More
CTVM
Arte Fuse, by Nina Mdivani
Oct 8, 2020
‘‘The exhibition presents a very eloquent portrait of where we currently are as a society, wavering between mimicry and stand-off, wallowing in the nostalgia of good pre-digital times, and looking at meaning outside of ourselves.”
Read More
La Presse, by Marc Cassivi
Oct 16, 2020
‘‘Un coup de cœur absolu pour cette œuvre poignante et magistrale’’. Carne y arena sera présentée à Montréal à compter du 18 décembre jusqu’à la fin mars à Arsenal.
Read More
MTL Blog, by Teddy Elliot
Aug 26, 2020
‘‘There are few art exhibitions that offer an interactive experience and even fewer that offer a completely hands-off interactive experience. Cercanía is one of those rare, completely unique experiences.’’
Read More
MTL Blog, by Teddy Elliot
Aug 4, 2020
The internationally-acclaimed Lozano-Hemmer and his collective of 15 artists have put together "ambitious, immersive audiovisual installations" centred around the themes of proximity and shared space.
Read More
Narcity, by Ariane Fortin
Aug 4, 2020
Cercanía, qui signifie en espagnol proximité physique, mais également intimité et empathie, va te transporter dans un univers complètement hypnotisant.
Read More
Le Devoir, by Natalia Wysocka
Aug 4, 2020
Se rapprocher, mais jusqu’où ? Comment ? Pourquoi ? Rafael Lozano-Hemmer répond à toutes ces interrogations avec Cercanía, exposition et résidence de création qui regroupe plus d’une dizaine de ses œuvres.
Read More
La Presse Plus, by Jean Siag
Aug 1, 2020
Frappé de plein fouet par la COVID-19, qu’il a contractée dès le début de la pandémie, l’artiste multimédia d’origine mexicaine Rafael Lozano-Hemmer s’est plongé – une fois remis – dans le projet Cercanía…
Read More
Le 15-18 Culture, with Stéphanie Gagnon
July 30, 2020
‘‘Cette résidence pour moi, c’est le développement de quelque chose pour produire l’intimité, la complicité, la connexion, des liens entre les personnes…’’
Read More
PatWhite.com
July 30, 2020
Arsenal art contemporain Montréal a le plaisir d’accueillir Rafael Lozano-Hemmer, artiste de renommée internationale, pour une résidence de création intitulée Cercanía.
Read More
Artnet, by Caroline Goldstein
June 26, 2020
As galleries around the world begin to slowly reopen, we are spotlighting individual shows—online and IRL—that are worth your attention.
Read More
Le Devoir
Feb 15, 2020
L’exposition en cours de Pascal Grandmaison renoue avec l’installation vidéo à grand déploiement étudiée en fonction de la galerie René Blouin, de vastes espaces qu’il a déjà su occuper intégralement.
Read More
Momus
Apr 27, 2019
Through a series of portraits featuring the exhausted landscape of the New Mexico desert, Cadieux allowed herself to inhabit the corporeal, less as a vessel for introspection than a light tower from which to look out.
Read More
Elephant, by Emily Gosling
Apr 21, 2020
A look at what the female gaze really means in the time of Coronavirus, as seen through the eyes of eight artists, tackling subjects from loneliness to ageing to disease.
Read More
By Anna Kovler
Apr, 2020
Shelley Adler’s portraits of women are striking. With a deft economy of forms she captures the enigmatic quality of the human gaze, loaded as it is with the sorrows, pleasures, and hopes of individual experience.
Read More
Canadian Art, by Tausif Noor
Mar 9, 2020
“The first truth is the form,” instructs a deadpan, disembodied male voice in Suzy Lake’s 1975 video The Natural Way to Draw, in which the artist, caked in a layer of white paint, shades lines and contours across her face, pausing briefly to take puffs of her cigarette.
Read More
Juxtapoz
Mar 17, 2020
With so many of the galleries we love closed for the forseeable future, many by appointment only, we are just catching up and reminding people that some great curated shows were happening recently that deserve attention.
Read More
By Anna Kovler
Mar, 2020
Janet Werner has spent decades exploring the form of the portrait. Culled from fashion magazines, her women peer through thick mascara, don elaborate outfits, and inhabit bodies Werner has stretched and warped in paint.
Read More
By Anna Kovler
Mar, 2020
It’s a sunny Thursday afternoon as I head across town to Toronto’s east end and Walter Scott’s studio - a bright room with high ceilings where his works in progress seem camouflaged amid the studio furniture.
Read More
NADA
Mar 7, 2020
Join artists Bambou Gili, Eliza Griffiths, Nadia Waheed, Janet Werner, and the curatorial fellow at the New Museum Jeanette Bisschops for a conversation in conjunction with the exhibition “This Sacred Vessel (pt.2).”
Read More