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Through a series of portraits featuring the exhausted landscape of the New Mexico desert, Cadieux allowed herself to inhabit the corporeal, less as a vessel for introspection than a light tower from which to look out.
Read MoreA look at what the female gaze really means in the time of Coronavirus, as seen through the eyes of eight artists, tackling subjects from loneliness to ageing to disease.
Read MoreShelley Adler’s portraits of women are striking. With a deft economy of forms she captures the enigmatic quality of the human gaze, loaded as it is with the sorrows, pleasures, and hopes of individual experience.
Read More“The first truth is the form,” instructs a deadpan, disembodied male voice in Suzy Lake’s 1975 video The Natural Way to Draw, in which the artist, caked in a layer of white paint, shades lines and contours across her face, pausing briefly to take puffs of her cigarette.
Read MoreWith so many of the galleries we love closed for the forseeable future, many by appointment only, we are just catching up and reminding people that some great curated shows were happening recently that deserve attention.
Read MoreJanet Werner has spent decades exploring the form of the portrait. Culled from fashion magazines, her women peer through thick mascara, don elaborate outfits, and inhabit bodies Werner has stretched and warped in paint.
Read MoreIt’s a sunny Thursday afternoon as I head across town to Toronto’s east end and Walter Scott’s studio - a bright room with high ceilings where his works in progress seem camouflaged amid the studio furniture.
Read MoreJoin artists Bambou Gili, Eliza Griffiths, Nadia Waheed, Janet Werner, and the curatorial fellow at the New Museum Jeanette Bisschops for a conversation in conjunction with the exhibition “This Sacred Vessel (pt.2).”
Read MoreOne of the first things Suzy Lake did after moving to Montreal in 1968 from her native Detroit—a city whose fiery upheavals had recently jolted her into political consciousness—was enroll in mime school at the Théâtre de Quat’Sous.
Read MoreThe first iteration of this group exhibition explored the ways in which climate change is influencing the firmly-entrenched tradition of landscape painting.
Read MoreFor the past six years, photographer Véronique Duplain has spent the month of February on a project that tests the limits of what the artist can achieve in one day.
Read MoreLa popularité de l'exposition immersive Imagine Van Gogh a engendré une deuxième prolongation d'un mois. Mais ce sera la dernière.
Read MoreAlthough Andreas Angelidakis trained as an architect, his art practice routinely attempts to decenter the architect’s role in building by giving his audience the task of constructing.
Read MoreEn collaboration avec la commissaire Shauna Jean Doherty, Tasman Richardson présente à l’Arsenal art contemporain l’installation multimédias Kali Yuga.
Read MoreEarlier this month, the first half of Abortion is Normal kicked off at Eva Presenhuber gallery in New York. Bringing together the work of over 50 artists to raise awareness and funding in support of accessible, safe, and legal abortion…
Read MoreThe immersive installation “Imagine Van Gogh” brings together two stories that took place roughly a hundred years apart in the same rolling hills and orchards of southern France.
Read More“Abortion Is Normal” is the kind of exhibition that energizes supporters and upsets opponents. But it’s exciting for just being a good art show.
Read MoreAn intensely personal yet universal exploration of the experience of loss, marking the first time Perry has chosen to address the tragedy of the recent suicide of her best friend and artistic collaborator, Pete Morrow.
Read More"Reproduction rights, abortion, and any bodily procedure is normal." This art exhibition wants to spark conversations about women’s reproductive rights in the U.S. (Source: QuickTake)rights rollbacks confront the subject in art.
Read MoreIn the New York City exhibit “Abortion Is Normal,” a group of artists and activists angered by last year’s abortion rights rollbacks confront the subject in art.
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