Art in America
Jan 13, 2020
Suzy Lake, who was born in Detroit in 1947 and emigrated to Canada in the late 1960s, works with video and photography to confront feminist issues.
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Art in America
By Anna Kovler
Jan, 2020
The work of over 40 influential artists including Cindy Sherman, Laurie Simmons, Marilyn Minter and Shirin Neshat is part of a fearless, two-venue exhibition designed to raise awareness and funding for women’s reproductive rights.
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Paper Magazine, by Savannah Hardman
Jan 10, 2020
As women's access to reproductive care is dwindling across areas of the US, a group of A-list artists is joining forces to combat the increasingly restrictive legislation surrounding abortion.
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The ARTnews, by Claire Selvin
Jan 9, 2020
On May 15, 2019, Alabama governor Kay Ivey signed into law the Human Life Protection Act, through which doctors who perform abortions in the state could potentially be sentenced to life in prison.
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Arnet News, by Sarah Cascone
Jan 9, 2020
The two-part show is a response to a growing number of laws limiting access to reproductive care across the US.
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The Observer, by Helen Holmes
Jan 9, 2020
As the 2020 election approaches, one of the issues that’s just as existentially grabbing as the looming threat of our climate catastrophe is the somehow still -ongoing issue of women’s health care…
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Centre Phi
Jan 9, 2020
À l’issue de sa première résidence de création au Québec, sous l’invitation de Jean-François Bélisle, Mat Chivers a développé Migrations, un corpus d’œuvres en dialogue avec le milieu de l’intelligence artificielle pour tenter de dresser un portrait de notre rapport actuel à ces nouvelles technologies.
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The New Yorker
Jan, 2020
This influential feminist artist, who moved from Detroit to Canada in the late nineteen-sixties, makes her New York solo début with a powerful show of performance-based photographs and videos.
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The Art Newspaper, by Anna Brady and Margaret Carrigan
Jan 6, 2020
The two-venue group show features new works by around 40 female artists, among them Marilyn Minter, Nan Goldin, Cindy Sherman, Barbara Kruger, Natalie Frank and Shirin Neshat.
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Shauna Jean Doherty
Jan, 2020
In Hinduism the life of the world is divided into ages (yugas). At present, we find ourselves in the fourth and final age – the kali yuga – having drifted farthest from the divine and away from an age of truth, virtue, and righteousness.
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La Presse
Dec 26, 2019
Présentée à l’Arsenal art contemporain, dans Griffintown, Migrations, une exposition du sculpteur britannique Mat Chivers, s’interroge sur l’intelligence artificielle.
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MutualArt
Dec, 2019
Tasman Richardson's "Kali Yuga" consists of six media artworks, carefully arranged in a slightly askew, nearly symmetrical layout. The works address themes of erosion, distance, surveillance, exhibitionism and telepresence.
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Arsenal Contemporary Art
Dec 11, 2019, 7 p.m.
Arsenal Contemporary NY is pleased to present a conversation between Suzy Lake and Laurie Simmons in conjunction with Performance of Protest, Lake’s first solo exhibition in NY.
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Esse, by Didier Morelli
Dec, 2019
There is an adage, coined by the éminence grise Richard Schechner, that the phenomenon widely described as performance is in fact a restored behaviour, or “twice-behaved behaviour.”
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Blake Gopnik on art
Dec 9, 2019
This is “Imitations of Myself #2,” made in 1973 by Suzy Lake and now in her little survey show at Arsenal Contemporary Art in New York. I remember seeing this body of work in Montreal, when Lake made it.
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Ici Arttv
Dec 9, 2019
Après avoir conquis les Européens, l’exposition immersive des œuvres de Van Gogh est débarquée à Montréal le 5 décembre, et elle y restera jusqu’au 2 février.
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Artnet News, by Sarah Cascone
Dec 7, 2019
Despite a career spanning five decades, artist Suzy Lake is only now getting her first New York solo show.
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RDI Matin, by Stéphane Leclair
Dec 7, 2019
Plus de 40 000 billets vendus pour l'exposition « Imagine Van Gogh Montréal ». Elle sera présentée l'an prochain à Québec.
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cbc.ca
Dec 7, 2019
A closer look at immersive art as Imagine Van Gogh makes its North American debut in Montreal.
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Le Devoir, by Caroline Monpetit
Dec 6, 2019
Lorsqu’il peignait les fleurs et les paysages de Provence, où il a vécu à la fin de sa vie, Van Gogh n’imaginait sûrement pas ses toiles projetées en format géant sur les murs d’un centre d’art contemporain de Montréal.
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