Elephant, by Emily Gosling
Apr 21, 2020
A look at what the female gaze really means in the time of Coronavirus, as seen through the eyes of eight artists, tackling subjects from loneliness to ageing to disease.
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Elephant, by Emily Gosling
Juxtapoz
Mar 17, 2020
With so many of the galleries we love closed for the forseeable future, many by appointment only, we are just catching up and reminding people that some great curated shows were happening recently that deserve attention.
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Hyperallergic, By Valentina Di Liscia
Mar 2, 2020
The first iteration of this group exhibition explored the ways in which climate change is influencing the firmly-entrenched tradition of landscape painting.
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Radio Canada
Feb 3, 2020
La popularité de l'exposition immersive Imagine Van Gogh a engendré une deuxième prolongation d'un mois. Mais ce sera la dernière.
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Esse, by Dominique Sirois-Rouleau
Jan 29, 2020
En collaboration avec la commissaire Shauna Jean Doherty, Tasman Richardson présente à l’Arsenal art contemporain l’installation multimédias Kali Yuga.
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The New York Times, by Jillian Steinhauer
Jan 23, 2020
“Abortion Is Normal” is the kind of exhibition that energizes supporters and upsets opponents. But it’s exciting for just being a good art show.
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London Short Film Festival
Jan 15, 2020
An intensely personal yet universal exploration of the experience of loss, marking the first time Perry has chosen to address the tragedy of the recent suicide of her best friend and artistic collaborator, Pete Morrow.
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Bloomberg
Jan 14, 2020
"Reproduction rights, abortion, and any bodily procedure is normal." This art exhibition wants to spark conversations about women’s reproductive rights in the U.S. (Source: QuickTake)rights rollbacks confront the subject in art.
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Daily Beast, by Alaina Demopoulos
Jan 13, 2020
In the New York City exhibit “Abortion Is Normal,” a group of artists and activists angered by last year’s abortion rights rollbacks confront the subject in art.
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The Guardian, by Laura Feinstein
Jan 13, 2020
In an ambitious, multi-disciplinary exhibition, a range of artists from Cindy Sherman to Nan Goldin, are aiming to dismantle stigma and raise funds
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Paper Magazine, by Savannah Hardman
Jan 10, 2020
As women's access to reproductive care is dwindling across areas of the US, a group of A-list artists is joining forces to combat the increasingly restrictive legislation surrounding abortion.
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The ARTnews, by Claire Selvin
Jan 9, 2020
On May 15, 2019, Alabama governor Kay Ivey signed into law the Human Life Protection Act, through which doctors who perform abortions in the state could potentially be sentenced to life in prison.
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The Observer, by Helen Holmes
Jan 9, 2020
As the 2020 election approaches, one of the issues that’s just as existentially grabbing as the looming threat of our climate catastrophe is the somehow still -ongoing issue of women’s health care…
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Centre Phi
Jan 9, 2020
À l’issue de sa première résidence de création au Québec, sous l’invitation de Jean-François Bélisle, Mat Chivers a développé Migrations, un corpus d’œuvres en dialogue avec le milieu de l’intelligence artificielle pour tenter de dresser un portrait de notre rapport actuel à ces nouvelles technologies.
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The Art Newspaper, by Anna Brady and Margaret Carrigan
Jan 6, 2020
The two-venue group show features new works by around 40 female artists, among them Marilyn Minter, Nan Goldin, Cindy Sherman, Barbara Kruger, Natalie Frank and Shirin Neshat.
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La Presse
Dec 26, 2019
Présentée à l’Arsenal art contemporain, dans Griffintown, Migrations, une exposition du sculpteur britannique Mat Chivers, s’interroge sur l’intelligence artificielle.
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MutualArt
Dec, 2019
Tasman Richardson's "Kali Yuga" consists of six media artworks, carefully arranged in a slightly askew, nearly symmetrical layout. The works address themes of erosion, distance, surveillance, exhibitionism and telepresence.
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Arsenal Contemporary Art
Dec 11, 2019, 7 p.m.
Arsenal Contemporary NY is pleased to present a conversation between Suzy Lake and Laurie Simmons in conjunction with Performance of Protest, Lake’s first solo exhibition in NY.
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Esse, by Didier Morelli
Dec, 2019
There is an adage, coined by the éminence grise Richard Schechner, that the phenomenon widely described as performance is in fact a restored behaviour, or “twice-behaved behaviour.”
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Blake Gopnik on art
Dec 9, 2019
This is “Imitations of Myself #2,” made in 1973 by Suzy Lake and now in her little survey show at Arsenal Contemporary Art in New York. I remember seeing this body of work in Montreal, when Lake made it.
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