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Carol Wainio at Arsenal Contemporary Art New York

ARTnews - Francesca Aton
May 1st, 2024

As art fairs flood New York—starting with Frieze and followed by Independent—with a myriad of notable auctions, as well as the Whitney Biennial, the scene is definitely bustling this spring.

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Carol Wainio: Recent Paintings and Drawings

The Brooklyn Rail - Ann McCoy
May 1st, 2024

In Carol Wainio’s pictorial realm the fabled creatures of Jean de La Fontaine and Aesop, haberdashery-clad rabbits, and children plucked from Victorian illustrated postcards dwell in forests that are part Gustave Doré, part Jean-Antoine Watteau, and are expressionistically rendered.

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Carol Wainio: Recent Paintings and DrawingsThe Brooklyn Rail - Ann McCoy

The Brooklyn Rail - Ann McCoy
May 1st, 2024

In Carol Wainio’s pictorial realm the fabled creatures of Jean de La Fontaine and Aesop, haberdashery-clad rabbits, and children plucked from Victorian illustrated postcards dwell in forests that are part Gustave Doré, part Jean-Antoine Watteau, and are expressionistically rendered.

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What to Cook This Week

By Sam Sifton - New York Times
Dec 11, 2022

‘‘Now, it’s nothing to do with headcheese or tofu skins, but The Times’s Blake Gopnik put me on to this Corri-Lynn Tetz show at Arsenal Contemporary in Manhattan. Blake’s right. The paintings are terrifying.”

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What to See in N.Y.C. Galleries Right Now

Roberta Smith, Blake Gopnik, Will Heinrich and Max Lakin - New York Times
Dec 1, 2022

‘‘Want to see new art in New York this weekend? Start in the Upper East Side with Lynne Drexler’s paintings. Then head to Chelsea for Rudolf Stingel’s Conceptualism with a sense of humor. Afterward, see Nicky Nodjoumi’s “Miami” paintings in NoLIta, and Corri-Lynn Tetz’s terrifying images of girlhood in TriBeCa.

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In the Studio with Shelley Adler

By Anna Kovler
Apr, 2020

Shelley Adler’s portraits of women are striking. With a deft economy of forms she captures the enigmatic quality of the human gaze, loaded as it is with the sorrows, pleasures, and hopes of individual experience.

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Review: Suzy Lake

Canadian Art, by Tausif Noor
Mar 9, 2020

“The first truth is the form,” instructs a deadpan, disembodied male voice in Suzy Lake’s 1975 video The Natural Way to Draw, in which the artist, caked in a layer of white paint, shades lines and contours across her face, pausing briefly to take puffs of her cigarette. 

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In the Studio with Janet Werner

By Anna Kovler
Mar, 2020

Janet Werner has spent decades exploring the form of the portrait. Culled from fashion magazines, her women peer through thick mascara, don elaborate outfits, and inhabit bodies Werner has stretched and warped in paint.

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In the Studio with Walter Scott

By Anna Kovler
Mar, 2020

It’s a sunny Thursday afternoon as I head across town to Toronto’s east end and Walter Scott’s studio - a bright room with high ceilings where his works in progress seem camouflaged amid the studio furniture.

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Suzy Lake

ArtForum, by Zack Hatfield
Mar, 2020

One of the first things Suzy Lake did after moving to Montreal in 1968 from her native Detroit—a city whose fiery upheavals had recently jolted her into political consciousness—was enroll in mime school at the Théâtre de Quat’Sous.

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