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ARTnews - Francesca Aton
May 1st, 2024
As art fairs flood New York—starting with Frieze and followed by Independent—with a myriad of notable auctions, as well as the Whitney Biennial, the scene is definitely bustling this spring.
The Brooklyn Rail - Ann McCoy
May 1st, 2024
In Carol Wainio’s pictorial realm the fabled creatures of Jean de La Fontaine and Aesop, haberdashery-clad rabbits, and children plucked from Victorian illustrated postcards dwell in forests that are part Gustave Doré, part Jean-Antoine Watteau, and are expressionistically rendered.
The Brooklyn Rail - Ann McCoy
May 1st, 2024
In Carol Wainio’s pictorial realm the fabled creatures of Jean de La Fontaine and Aesop, haberdashery-clad rabbits, and children plucked from Victorian illustrated postcards dwell in forests that are part Gustave Doré, part Jean-Antoine Watteau, and are expressionistically rendered.
BY SOPHIE LEE - CULTUREDMAG.COM
SEPT 6, 2023
In her first U.S. solo exhibition, the artist takes a critical look at the building of cityscapes and their implications on everyday life.
L’artiste montréalais, Chih-Chien Wang, présente sa première exposition solo aux États-Unis, une rétrospective baptisée A Bright Circle réunissant ses œuvres des 18 dernières années.
By Sam Sifton - New York Times
Dec 11, 2022
‘‘Now, it’s nothing to do with headcheese or tofu skins, but The Times’s Blake Gopnik put me on to this Corri-Lynn Tetz show at Arsenal Contemporary in Manhattan. Blake’s right. The paintings are terrifying.”
Roberta Smith, Blake Gopnik, Will Heinrich and Max Lakin - New York Times
Dec 1, 2022
‘‘Want to see new art in New York this weekend? Start in the Upper East Side with Lynne Drexler’s paintings. Then head to Chelsea for Rudolf Stingel’s Conceptualism with a sense of humor. Afterward, see Nicky Nodjoumi’s “Miami” paintings in NoLIta, and Corri-Lynn Tetz’s terrifying images of girlhood in TriBeCa.”
The Art Newspaper, by Daniel Cassady and Gabriella Angeleti
June 3, 2022
‘‘From Esmaa Mohamoud at Arsenal Contemporary to the Flag Art Foundation’s group show curated by ex-football player and arts patron Keith Rivers.”
Le Devoir, by Nicolas Mavrikakis
Mar 19, 2022
« Cela faisait plus de 20 ans que Geneviève Cadieux n’avait pas exposé à New York. La dernière fois, c’était en 2000, à l’Americas Society, pour une exposition commissariée par Stéphane Aquin, devenu depuis directeur du Musée des beaux-arts de Montréal. »
Arte Fuse, by Nina Mdivani
Oct 8, 2020
‘‘The exhibition presents a very eloquent portrait of where we currently are as a society, wavering between mimicry and stand-off, wallowing in the nostalgia of good pre-digital times, and looking at meaning outside of ourselves.”
Artnet, by Caroline Goldstein
June 26, 2020
As galleries around the world begin to slowly reopen, we are spotlighting individual shows—online and IRL—that are worth your attention.
Elephant, by Emily Gosling
Apr 21, 2020
A look at what the female gaze really means in the time of Coronavirus, as seen through the eyes of eight artists, tackling subjects from loneliness to ageing to disease.
By Anna Kovler
Apr, 2020
Shelley Adler’s portraits of women are striking. With a deft economy of forms she captures the enigmatic quality of the human gaze, loaded as it is with the sorrows, pleasures, and hopes of individual experience.
Canadian Art, by Tausif Noor
Mar 9, 2020
“The first truth is the form,” instructs a deadpan, disembodied male voice in Suzy Lake’s 1975 video The Natural Way to Draw, in which the artist, caked in a layer of white paint, shades lines and contours across her face, pausing briefly to take puffs of her cigarette.
Juxtapoz
Mar 17, 2020
With so many of the galleries we love closed for the forseeable future, many by appointment only, we are just catching up and reminding people that some great curated shows were happening recently that deserve attention.
By Anna Kovler
Mar, 2020
Janet Werner has spent decades exploring the form of the portrait. Culled from fashion magazines, her women peer through thick mascara, don elaborate outfits, and inhabit bodies Werner has stretched and warped in paint.
By Anna Kovler
Mar, 2020
It’s a sunny Thursday afternoon as I head across town to Toronto’s east end and Walter Scott’s studio - a bright room with high ceilings where his works in progress seem camouflaged amid the studio furniture.
NADA
Mar 7, 2020
Join artists Bambou Gili, Eliza Griffiths, Nadia Waheed, Janet Werner, and the curatorial fellow at the New Museum Jeanette Bisschops for a conversation in conjunction with the exhibition “This Sacred Vessel (pt.2).”
ArtForum, by Zack Hatfield
Mar, 2020
One of the first things Suzy Lake did after moving to Montreal in 1968 from her native Detroit—a city whose fiery upheavals had recently jolted her into political consciousness—was enroll in mime school at the Théâtre de Quat’Sous.
Hyperallergic, By Valentina Di Liscia
Mar 2, 2020
The first iteration of this group exhibition explored the ways in which climate change is influencing the firmly-entrenched tradition of landscape painting.
Hyperallergic, by Marisa Crawford
Jan 24, 2020
Earlier this month, the first half of Abortion is Normal kicked off at Eva Presenhuber gallery in New York. Bringing together the work of over 50 artists to raise awareness and funding in support of accessible, safe, and legal abortion…
The New York Times, by Jillian Steinhauer
Jan 23, 2020
“Abortion Is Normal” is the kind of exhibition that energizes supporters and upsets opponents. But it’s exciting for just being a good art show.
Bloomberg
Jan 14, 2020
"Reproduction rights, abortion, and any bodily procedure is normal." This art exhibition wants to spark conversations about women’s reproductive rights in the U.S. (Source: QuickTake)rights rollbacks confront the subject in art.
By Anna Kovler
Jan, 2020
The work of over 40 influential artists including Cindy Sherman, Laurie Simmons, Marilyn Minter and Shirin Neshat is part of a fearless, two-venue exhibition designed to raise awareness and funding for women’s reproductive rights.
Daily Beast, by Alaina Demopoulos
Jan 13, 2020
In the New York City exhibit “Abortion Is Normal,” a group of artists and activists angered by last year’s abortion rights rollbacks confront the subject in art.
Art in America
Jan 13, 2020
Suzy Lake, who was born in Detroit in 1947 and emigrated to Canada in the late 1960s, works with video and photography to confront feminist issues.
The Guardian, by Laura Feinstein
Jan 13, 2020
In an ambitious, multi-disciplinary exhibition, a range of artists from Cindy Sherman to Nan Goldin, are aiming to dismantle stigma and raise funds
Paper Magazine, by Savannah Hardman
Jan 10, 2020
As women's access to reproductive care is dwindling across areas of the US, a group of A-list artists is joining forces to combat the increasingly restrictive legislation surrounding abortion.
Arnet News, by Sarah Cascone
Jan 9, 2020
The two-part show is a response to a growing number of laws limiting access to reproductive care across the US.
The Observer, by Helen Holmes
Jan 9, 2020
As the 2020 election approaches, one of the issues that’s just as existentially grabbing as the looming threat of our climate catastrophe is the somehow still -ongoing issue of women’s health care…