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Adieu à Nicola L, Pop Art Icon

Cultured Magazine
Jan 10, 2019

Over an extensive career, Nicola L journeyed from Morocco, where she was born, to Paris, the city where she first encountered Nouveau Réalisme to great influence, to New York, where she took roost in the Chelsea Hotel, and Ibiza, whose sun-kissed coast inspired the artist’s longstanding concern for the skin’s warm envelopment.

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Chère

Canadian Art
Jan 9, 2019

The suggestively placed knobs and shiny surfaces of feminist artist Nicola L’s functional sculptures tempt the viewer to stroke, poke, pull and touch. A commode, coffee table, bookshelf and two “sofas” playing dress-up as furniture invite sublimation and use while mocking the impulse to realize an absurd desire.

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Nicola L, an Overlooked Female Pioneer of the Pop Art Movement, Has Died at 81

Artnet News
Jan 3, 2019

Conceptual French artist Nicola L., whose feminist work has been experiencing newfound recognition in recent years, died on Monday in Los Angeles at the age of 81. Her shape-shifting art, which spans sculpture, painting, performance, and furniture, often explored the human (and mostly the female) body.

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Nicola L. Leaves Behind a Legacy of Fearless, Offbeat Sculpture

Artsy
Jan 3, 2019

Artist Nicola L., best known for her anthropomorphic, functional sculptures, died on December 31, 2018, at age 81. From a white, foot-shaped sofa to a curvy yellow cabinet with a round face and suggestive, nipplesque drawer pulls, L.’s artwork cheekily merged principles of art, design, and furniture.

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Nicola L's Functional Sculptures Are as Relevant as Ever

Architectural Digest
Nov 19, 2018

"It would be perfect for jewelry," says a gallery visitor at New York's Arsenal Contemporary to the woman next to him, tugging open the nipple drawer of Nicola L.'s La Femme Commode and contemplating its obvious use: storage.

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People, Places and Things to Know: Feminist Art That’s Also Furniture, Patterned Bags and More

New York Times - STYLE Magazine
Oct 12, 2018

There was a “Saturday Night Live” sketch not too long ago in which Kate McKinnon pretended to be Brigitte Bardot responding to the #MeToo movement. “Why does woman have breast? It’s for a man to grab and pull!” she said, taking a drag on her prop cigarette. “A drawer has a knob. A woman has two knobs!”.

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